The Royal Palace of Caserta is a former royal residence in Caserta, southern Italy, constructed by the House of Bourbon-Two Sicilies as their main residence as kings of Naples. It is the largest palace erected in Europe during the 18th century. In 1997, the palace was designated a UNESCO World Heritage Site; its nomination described it as "the swan song of the spectacular art of the Baroque, from which it adopted all the features needed to create the illusions of multidirectional space". In terms of volume, the Royal Palace of Caserta is the largest royal residence in the world with over 1 million m³ and covering an area of 47,000 m².
San Bartolomeo in Pantano is a Romanesque and Gothic style, Roman Catholic church in Pistoia, Tuscany, central Italy, dedicated to St. Bartholomew the Apostle. The pantano of the name refers to the once marshy area in which the building was located.
The Basilica of San Bernardino is located in L'Aquila, Italy. The church was built, with the adjacent cloister, between 1454 and 1472 in honor of St Bernardino of Siena. The corpse of the saint is guarded inside the church in a mausoleum and it was declared a Basilica Minor in May 1946 by Pope Pius XII.
The earthquake in April 2009 seriously ruined the apse and the campanile. In May 2015, the basilica was reopened to the community.
Bernardino of Siena was an Italian priest and Franciscan missionary. He was a systematizer of Scholastic economics. His popular preaching made him famous during his own lifetime because it was frequently directed against sorcery, gambling, infanticide, witchcraft, homosexuality, Jews, and usury. Bernardino was later canonised by the Catholic Church as a saint - where he is also referred to as “the Apostle of Italy” - for his efforts to revive the country's Catholic faith during the 15th century.
The Chiesa di San Felice is a Roman Catholic church in Florence, region of Tuscany, Italy. It is located on the south bank of the River Arno, just west of the Pitti Palace. It is predominantly Gothic, but has a Renaissance façade by Michelozzo, added in 1457. Over the high altar is a large Crucifix attributed to Giotto or his school.
A church at the site was built about the 10th-century outside one of the gates of early walls of Florence. It first belonged to the Monastery of San Silvestro of Nonantola, and in 1413 it was transferred to the Camaldolese Order. In 1552, it became property of the Dominican nuns of San Pietro Martire. The church provided a sanctuary to women fleeing from abusive husbands.
The interior had a Madonna with Child and Saints by Ridolfo Ghirlandaio. Another chapel has a fresco by Giovanni da San Giovanni, depicting San Felice reviving St Massimo; the angels gathering the grapes in the painting are by Baldassare Franceschini. It had a triptych by Neri di Bicci, depicting St Augustin and St John Baptist, and St Julian and King St Sigismond. Another chapel had a Madonna and Child with St Hyacinth, by Jacopo da Empoli. The church has a Last Supper by Matteo Rosselli.
The Convent of St. Francis is a Franciscan convent located in the western, historic center of Fiesole in the region of Tuscany.
Located on Via San Francesco, it is not far from the Cathedral of Saint Romulus and the former Basilica of St. Alex.
San Francesco is a gothic-style, former Roman Catholic church located in Montefalco, Province of Perugia, region of Umbria, Italy. The church and adjacent Franciscan convent now functions as the civic art museum.
The portal of the church dates to 1585. The church and adjacent convent were constructed between 1335 and 1338. The most notable works are the fresco cycles by Benozzo Gozzoli decorating the St. Girolamo Chapel and the apse; these include Life of St. Francis . Jacopo Vincioli, Giovanni di Corraduccio and Ascensidonio Spacca also decorated the lateral chapels, and the site also includes an Annunciation with God the Father in Glory between Angels and the Nativity by Pietro Vannucci, known as “Il Perugino”.
The convent also has works by Francesco Melanzio from Montefalco. The museum also displays frescoes from the followers of Alunno and Antoniazzo Romano. Archeological findings and marble gravestone fragments are displayed in the Crypt.
