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Santa Maria in Organo, Verona

Verona

Italia

Santa Maria in Organo is a Roman Catholic church in Verona, Northern Italy.

Santa Maria delle Grazie, Arezzo

Arezzo

Italia

Santa Maria delle Grazie is a church in Arezzo, Tuscany, central Italy. It is located on the site of an ancient sanctuary with a spring that, in the Etruscan-Roman era, it was consecrated to Apollo. In the Middle Ages it was known as Fonte Tecta. In 1425, Saint Bernardino of Siena tried in vain to have it destroyed. Ousted from the city, he returned in 1428 and, this time, he was able to obtain the replacement of the spring with an oratory. Here, from 1428 and 1431, Parri di Spinello, son of Spinello Aretino, painted a fresco with the Madonna of Misericordia, now inserted in the marble altar by Andrea Della Robbia . The altar portrays, in the tympanum, a Madonna with Child between two Angels; in the niches are the saints Laurentinus, Pergentinus, Donatus and Bernardino, while the paliotto has a Pietà. Around 1490, the oratory received a portico, designed by Benedetto da Maiano. The structure was inspired by Filippo Brunelleschi's Ospedale degli Innocenti. On the longest side it has seven arcades with medallions, on a basement with steps. The church itself was built from 1435 to 1444, a late Gothic edifice designed by Domenico del Fattore, with a single nave with cross-vaults and a short apse. It houses a fresco with Pope Sixtus IV Enthroned between cardinals Gonzaga and Piccolomini. At the right side, a chapel dedicated to Saint Bernardino was built after his death in 1444.

Basílica de Santa Clara (Nápoles)

Campania

Italia

La Basílica y el Convento de Santa Clara se construyeron entre 1310 y 1340, sobre un complejo de baños romanos del siglo I d. C., cerca de la muralla occidental de la ciudad de Nápoles . Es la mayor iglesia gótica de la ciudad. El complejo monástico de la basílica incluye un monasterio con cuatro claustros monumentales, escavaciones arqueológicas, un museo donde se pueden ver los restos de frescos de Giotto en las salas que era ocupada por las monjas. Cada primer sábado del mes de mayo las cápsulas que contienen la sangre de San Jenaro son trasladadas en solemne procesión desde la Catedral de Nápoles hasta esta basílica, para celebrar en ella el fenómeno de la licuación de la sangre del santo mártir.

Sant'Anna dei Lombardi

Campania

Italia

Sant'Anna dei Lombardi, , and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.

Iglesia de San Andrés del Quirinal

Lacio

Italia

La iglesia de San Andrés del Quirinal es un pequeña iglesia católica italiana ubicada en la colina del Quirinal en Roma, próxima al palacio del Quirinal. Construida entre 1658 y 1670 por Gian Lorenzo Bernini, por encargo del cardenal Camillo Pamphili, familiar de Inocencio X, para ser el oratorio del noviciado de la Compañía de Jesús, se considera una de las joyas del barroco italiano. Dependiente del noviciado jesuita hasta 1773, y nuevamente desde 1814 hasta 1870, desde 1925 ha sido atendida nuevamente por los jesuitas. La planta tiene forma elíptica. Su disposición transversal, con el altar y la entrada opuestos sobre el eje menor, permite llegar rápidamente al centro, a la plenitud del edificio. Tiene un pórtico columnado curvo en la entrada, consiguiendo una referencia de frontalidad, decorado por el escudo de los Pamphili. La decoración en estuco fue diseñada por Bernini y ejecutada por Antonio Raggi y otros, entre los años 1661 y 1666. Incluso el suelo repite el motivo de geometría elíptica. En el altar se encuentra El martirio de San Andrés, de il Borgognone. La primera capilla alberga tres lienzos de Baciccia: Muerte de San Francisco Javier y otros dos cuadros de 1705. En la segunda capilla se exponen tres cuadros de Giacinto Brandi de 1682. En la segunda capilla a la izquierda hay una Madonna con niño y San Estanislao de Kostka de Carlo Maratta con un techo pintado al fresco sobre la Gloria de los Santos de Giovanni Odazzi. En la primera capilla hay otra Madonna con niño y Santos de Ludovico Mazzanti, con techo sobre la Gloria de los Ángeles de Giuseppe Chiari. Carlos Manuel IV de Saboya, rey de Cerdeña y Piamonte, está enterrado en una de las capillas laterales. Los restos de san Estanislao Kostka también se guardan aquí, en la llamada Camera di San Stanislao Kostka. Su lujosa estatua yacente, realizada con mármoles de distintos colores, fue esculpida en el siglo XVIII por Pierre Legros. En el interior se observa un cuadro de Guglielmo Córtese.

Sant'Agostino, Siena

Siena

Italia

Sant'Agostino is a Roman Catholic church in Siena, region of Tuscany, Italy.

Congonhas

Conselheiro Lafaiete

Brasil

Congonhas es un municipio brasileño del estado de Minas Gerais. Su población estimada en 2018 es de 54 196 habitantes, según el Instituto Brasileño de Geografía y Estadística .[2]​

San Silvestro al Quirinale

Lacio

Italia

For the other church in Rome with the same name, see San Silvestro in Capite.San Silvestro al Quirinale is a historic church in central Rome, Italy. It is located near Via XXIV Maggio corner with Via Mazzarino, a few blocks south of the Piazza del Quirinale.

San Pietro di Castello (church)

Venecia

Italia

The Basilica di San Pietro di Castello , commonly called San Pietro di Castello, is a Roman Catholic minor basilica of the Patriarch of Venice located in the Castello sestiere of the Italian city of Venice. The present building dates from the 16th century, but a church has stood on the site since at least the 7th century. From 1451 to 1807, it was the city's cathedral church, though hardly playing the usual dominant role of a cathedral, as it was overshadowed by the "state church" of San Marco, and inconveniently located. During its history the church has undergone a number of alterations and additions by some of Venice's most prominent architects. Andrea Palladio received his first commission in the city of Venice from the Patriarch Vincenzo Diedo to re-build the facade and interior of St Pietro, but Diedo's death delayed the project. After St Mark's Basilica became Venice’s official cathedral , San Pietro fell into a state of disrepair. It was firebombed during the First World War and only through the efforts of conservation organisations has it been restored to its former state. Its ongoing conservation is now managed through its membership of the Chorus Association of Venetian churches. The church is located on San Pietro di Castello , a small island off the eastern end of the main city of Venice.

San Zulian

Venecia

Italia

The Chiesa di San Giuliano , commonly called San Zulian in the Venetian dialect, is a church in Venice. San Zulian is in the parish of San Salvador. It is situated on the Merceria, the main shopping street of the city. Originally a structure from the 9th century; it underwent a number of reconstructions, including likely after the 1105 fire of the neighborhood. The façade was constructed in 1553-1554 by Jacopo Sansovino, and completed after his death in 1570 by Alessandro Vittoria. The flattened classical temple façade was paid for by the scholar Tommaso Rangone, whose bronze seated portrait appears above the door. In his hands, the physician Rangone holds sarsaparilla and guaiacum, two plants which he used to treat syphilis and yellow fever. The reliefs also depict a map of the world as was known at his death. As befitting his broad-ranging interests in classic texts, the flanking inscriptions are in Latin , Greek and Hebrew text. The interior was also designed by Sansovino, and the church consecrated in 1580.

San Giovanni in Bragora

Venecia

Italia

San Giovanni in Bragora es una iglesia en Venecia , ubicada en el sestiere de Castello.

Iglesia de San Juan de los Florentinos

Lacio

Italia

La iglesia de San Juan de los Florentinos (en italiano, San Giovanni Battista dei Fiorentini es una basílica menor y una iglesia titular, construida por inicativa del papa Julio II en el Ponte rione de Roma. Está al comienzo de la via Giulia. Dedicada a san Juan Bautista, el protector de Florencia, la nueva iglesia para la comunidad florentina en Roma se inició en el siglo XVI y se completó a principios del XVIII y es la iglesia nacional de Florencia en Roma. Entre los arquitectos que contribuyeron a la creación y remodelación del edificio se encuentran Jacopo Sansovino, Antonio da Sangallo el Joven, Miguel Ángel, Giacomo della Porta, Carlo Maderno, Pietro da Cortona, Borromini y Alessandro Galilei. En esta iglesia están enterrados Horace Capponi, Carlo Maderno y Borromini. La iglesia también ha sido el hogar del título cardenalicio de San Juan Bautista de los Florentinos desde 1960.

Iglesia de San Juan Crisóstomo (Venecia)

Venecia

Italia

La iglesia de san Juan Crisóstomo es un templo de culto católico situado en el barrio de Cannaregio, en la ciudad de Venecia .

Iglesia de San Giobbe

Venecia

Italia

La iglesia de San Job ? es una iglesia de culto católico de Venecia , dedicada al santo Job. Se encuentra en el barrio Cannaregio, con vistas al campo[1]​ y al río del mismo nombre ; es conocida como Sant'Agiopo en Venecia; está ubicada en la margen izquierda del canal de Cannaregio muy cerca del Ponte dei Tre Archi. Es una de las cinco iglesias votivas construidas en Venecia después del inicio de la peste.[2]​

San Cassiano, Venice

Venecia

Italia

San Cassiano is a 14th-century Roman Catholic church located in the San Polo sestiere of the Italian city of Venice. A church has stood on the site since 726 with the present building dedicated to Saint Cassian of Imola being consecrated in 1376 and re-modelled during the 17th century. It has a plain exterior with several adjacent buildings overlapping it. Its interior however is richly decorated in a Baroque style. The church is located on the Campo San Cassiano, site of the world's first public opera house, west of the Rialto Bridge and is open to visitors Tuesday-Saturday mornings.The church houses three paintings by the Italian artist Tintoretto, including The Crucifixion of Christ painted in 1568 which the art critic John Ruskin described as, "the finest [example of a Crucifixion painting] in Europe". However, the most famous painting associated with the church is paradoxically one which is no longer there. The San Cassiano altarpiece, painted for this church by Antonello da Messina, was the first major example of oil painting in the city. It disappeared from the church in the 17th century and was cut into sections; the remaining known pieces are re-united in Vienna.

Samuel Johnson Birthplace Museum

Lichfield

Reino Unido

Samuel Johnson Birthplace Museum is a biographical museum and bookshop located in the centre of the city of Lichfield, Staffordshire, in England. The building is a Grade I listed building situated at the corner of Market Street and Breadmarket Street opposite the market square.The museum opened in 1901 and is dedicated to the life and works of the author and lexicographer Samuel Johnson who wrote the first authoritative Dictionary of the English Language. Johnson's father built the house in 1707 and Samuel was born in the house on 18 September 1709 and spent the majority of his first 27 years in the house before leaving for London in 1737. The house was used as a commercial property for various trades between the time of Johnson's death in 1784 until the house was bought for the city by John Gilbert in 1900 for the purpose of retaining the building as a museum to Johnson. The house remains in active use as a museum.

Salisbury Guildhall

Salisbury

Reino Unido

Salisbury Guildhall is an 18th-century municipal building in the Market Place, Salisbury, England. It is a Grade II* listed building and is the meeting place of the Salisbury City Council.

Colegiata Saint-Barthélemy de Lieja

Lieja

Bélgica

La colegiata Saint-Barthélemy de Lieja, en Bélgica, es característica del estilo imponente del arte mosano románico, fue edificada con bloques de asperón , entre finales del siglo XI a finales del siglo XII. Al igual que la inmensa mayoría de los edificios religiosos ha sufrido numerosas modificaciones en el curso de los siglos, sin embargo el carácter románico de Saint-Barthélemy ha perdurado a través de las modificaciones. En el siglo XVIII, se añadieron dos nefs, se abrió el macizo occidental con un pórtico neoclásico y se decoró el interior en barroco francés. El interior del ala occidental ha sido restaurado en el estilo románico original. La colegiata de Saint-Barthélemy es una de siete colegiatas liejesas primigenias . El 28 de marzo de 2006, la iglesia fue re-inaugurada después de importantes trabajos de renovación. Los mismos se extendieron durante siete años, siendo reemplazadas 10.000 piedras y restaurándose la policromía de las paredes.