Chester Dale was an American banker and patron of the arts. Dale earned large sums from working for the New York Stock Exchange, allowing him to collect 19th and 20th-century French paintings. Although he considered establishing a private museum, he donated a part of his collection to the National Gallery of Art in Washington, D.C. in 1941. The rest of his collection was bequeathed to the National Gallery upon his death.
チェルシー・カレッジ・オブ・アーツ（Chelsea College of Arts）は、イギリス・ロンドンにあるロンドン芸術大学を構成するカレッジの一つ。
イギリスの主導的美術大学として、国際的にも高い評価を受けている。継続教育・高等教育レベルのファインアート、グラフィックデザイン、インテリアデザイン、空間デザイン、テキスタイルデザイン学科があり、博士課程も有している。
The Palais Rohan in Strasbourg is the former residence of the prince-bishops and cardinals of the House of Rohan, an ancient French noble family originally from Brittany. It is a major architectural, historical, and cultural landmark in the city. It was built next to Strasbourg Cathedral in the 1730s, from designs by Robert de Cotte, and is considered a masterpiece of French Baroque architecture. Since its completion in 1742, the palace has hosted a number of French monarchs such as Louis XV, Marie Antoinette, Napoleon and Joséphine, and Charles X.
Reflecting the history of Strasbourg and of France, the palace has been owned successively by the nobility, the municipality, the monarchy, the state, the university, and the municipality again. Its architectural conception and its iconography were intended to indicate the return of Roman Catholicism to the city, which had been dominated by Protestantism for the previous two centuries. Thus the prelate's apartments face the cathedral, to the north, and many of the statues, reliefs and paintings reflect the Catholic dogma.Since the end of the 19th century the palace has been home to three of Strasbourg's most important museums: the Archaeological Museum , the Museum of Decorative Arts and the Museum of Fine Arts . The municipal art gallery, Galerie Robert Heitz, in a lateral wing of the palace, is used for temporary exhibitions. The Palais Rohan has been listed since 1920 as a Monument historique by the French Ministry of Culture.
The Château de Dampierre is a castle in Dampierre-en-Yvelines, in the Vallée de Chevreuse, France.
Built by Jules Hardouin-Mansart in 1675–1683 for the duc de Chevreuse, Colbert's son-in-law, it is a French Baroque château of medium size. Protected behind fine wrought iron double gates, the main block and its outbuildings, linked by balustrades, are ranged symmetrically around a dry paved and gravelled cour d'honneur. Behind, the central axis is extended between the former parterres, now mown hay. The park with formally shaped water was laid out by André Le Nôtre. There are sumptuous interiors. The small scale makes it easier to compare it to the approximately contemporary Het Loo, for William III of Orange.
The grande galerie was reconstructed for the amateur archaeologist and collector, Honoré Théodoric d'Albert de Luynes, under the direction of antiquarian architect Félix Duban. Sculptor Pierre-Charles Simart contributed Hellenic friezes and reliefs for the project. Ingres' Age of Gold remains as testament to the abortive project of decorating it in fresco, not Ingres' habitual medium.
The park, which lost many trees in the storm of 26 December 1999, offers a formal canal and an eighteenth-century garden folly.
The Lycée Pierre-Corneille is a state secondary school located in the city of Rouen, France.
Originally founded by the Jesuits in 1593, the school was secularized following the 1905 French law on the Separation of the Churches and the State, and is today non-religious and ruled by the French Ministry of Education.
The school adopted the name of the playwright Pierre Corneille in 1873, and was classified as a national heritage site in December 1985.
Modern Asian Studies is a bimonthly peer-reviewed academic journal in the field of Asian studies, published by Cambridge University Press. The journal was established in 1967 by the Syndics of the University of Cambridge and the Committee of Directors at the Centre of South Asian Studies , a joint initiative among SOAS University of London, University of Cambridge, University of Hull, University of Leeds, and University of Sheffield. The journal covers the history, sociology, economics, and culture of modern Asia.
The editor is Norbert Peabody .
Kensal Green Cemetery is a cemetery in the Kensal Green area of the Royal Borough of Kensington and Chelsea in London, England. Inspired by Père Lachaise Cemetery in Paris, it was founded by the barrister George Frederick Carden. The cemetery opened in 1833 and comprises 72 acres of grounds, including two conservation areas, adjoining a canal. The cemetery is home to at least 33 species of bird and other wildlife. This distinctive cemetery has memorials ranging from large mausoleums housing the rich and famous to many distinctive smaller graves and includes special areas dedicated to the very young. It has three chapels, and serves all faiths. It is one of the Magnificent Seven cemeteries in London.
The cemetery was immortalised in the lines of G. K. Chesterton's poem "The Rolling English Road" from his book The Flying Inn: "For there is good news yet to hear and fine things to be seen; Before we go to Paradise by way of Kensal Green."Despite its Grecian-style buildings, the cemetery is primarily Gothic in character, due to the high number of private Gothic monuments. Due to this atmosphere, the cemetery was the chosen location of several scenes in movies, notably in Theatre of Blood.
The cemetery is listed Grade I on the Register of Historic Parks and Gardens. It remains in use.
The Cedar Rapids Museum of Art is a museum in downtown Cedar Rapids, Iowa, United States. The museum is privately owned and was established in 1905. The museum acquired the old Cedar Rapids Public Library building after the library moved into a new location in 1985. The current home of the museum, designed by post-modern architect Charles Moore, was built adjoining the old library in 1989.
The mission of the Cedar Rapids Museum of Art is to excite, engage, and educate its community and visitors through its collection, exhibitions and programs.
Catmose College is a secondary academy school on Huntsmans Drive in Oakham, Rutland. The catchment area covers the county town of Oakham and surrounding villages, although students are drawn from a wider area through parental choice. From 1972 until 2009 the school name was Vale of Catmose College.
In 2009 the college, in partnership with Rutland County Council started construction of a £23m new campus which opened in 2011. The new building, designed by Jonathan Ellis Miller, combines a 900 pupil academy, Sure Start centre, sports building, outdoor pitches, and a learning disability resource centre.In 2010, Catmose College federated with Southfield Community Primary School which became Catmose Primary. The addition of Catmose Nursery in 2012 means that Catmose Federation provides for children from 3 months to 16 years.
Catmose College specialises in Visual Arts. The Catmose Gallery, opened in May 2003 by the Department for Culture, Media and Sport, was the first public art gallery located in a community college. The gallery provided students and the public with a programme of high calibre national, local and student exhibitions before in July 2011 the College governors decided on the closure of the gallery to the public.With 90% of students achieving five GCSE grades A*-C the College is one of highest attaining in Rutland and Leicestershire. The Ofsted report in February 2012 rated the College 'Outstanding' in all 4 categories and overall.
Liège Cathedral, otherwise St. Paul's Cathedral, Liège, in Liège, Belgium, is part of the religious heritage of Liège. Founded in the 10th century, it was rebuilt from the 13th to the 15th century and restored in the mid-19th century. It became a Roman Catholic cathedral in the 19th century due to the destruction of Saint Lambert's Cathedral in 1795. It is the seat of the Diocese of Liège.
Montauban Cathedral is a Roman Catholic cathedral and a national monument of France located in the town of Montauban.
It is the seat of the Bishopric of Montauban, created in 1317, abolished by the Concordat of 1801 and transferred to the Archdiocese of Toulouse, and restored in 1822.
The cathedral of Montauban was Protestant from the start of the Wars of Religion until Catholicism returned to Montauban in 1629.
The construction of a new church, the present building, was agreed after the revocation of the Edict of Nantes in 1685. The cornerstone of the new cathedral was laid in 1692, and the church was consecrated in 1739. Initially, the architect François d'Orbay supervised the works. When he died in 1697, he was succeeded by Jules Hardouin-Mansart and Robert de Cotte.
The towers frame the west façade, a pure product that applies all the conventions of classical art, i.e. an Ionic facade with a peristyle mounted by statues of the Four Evangelists which replaced the original statues. The interior is decorated with pilasters, metopes and triglyphs, and the cathedral's strict and elegant vertical lines make it a typical example of classical architecture. A famous painting by Ingres, "The Vow of Louis XIII", hangs in the north arm of the transept.
